Go behind the scenes at Disney Animation Studios and discover how they made the internet come alive on screen.

The film, "Why We Bang," produced and directed by Orlando Myrics and Clifford Jordan for Ghetto Logik Entertainment is an independent film that documents the historical background of LA's Bloods and Crips gangs, then transitions into several interviews of current and former members of the Bloods and Crips of Los Angeles. 　　Ghetto Logik, a Film Company based in South Los Angeles offers their first urban documentary as a result of being disappointed in seeing outsiders far too often portray the stories of ghetto residents. "We just got tired of seeing people, not from our community making so called "Hood movies" that did not really depict what our community was all about, our goal is to bring real images and real stories about real people to the big screen." 　　Their first effort, "Why We Bang" is an in-depth look into Gang Culture in Los Angeles that shows up-close, the life in South Los Angeles, talking and walking with real gang members first hand. Their approach was to show the gangs, their motivations and deadliness and to capture the voices of the mothers who have lost children to the violence that gangs bring. Their story, through several narratives will inform you Why We Bang.

When her older sister elopes with a non-royal, Princess Bea who has lived her life away from her royal duties must now step in and honor the arranged marriage to a small kingdom prince.

Amanda and Jake are in love and want to start a new life in Los Angeles. Will they make the right decisions? The first 24 hours of their new life take them all around the city, bringing them more surprises and frustrations than expected.

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

Núa burns through her last drops of gasoline to get to a sanctuary at the end of the road where powerhouses, musicians and mystics have gathered for a letting go ritual.

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

Featuring inverviews from: Afrika Bambaataa, Ashford & Simpson, Jackson Browne, Kim Burell, Taylor Dayne, Carmen Electra, Faith Evans, Roberta Flack, Joel Gray, Kc & the Sunshine Band, Eartha Kitt, Patti Labelle, Queen Latifah and more?

Sun-woo and Woo-jung are about to get married. Their rosy future shatters when Sun-woo’s divorced father with bad credit history has a stroke. Sun-woo is left with a huge treatment fee, and his mother insists that Sun-woo’s dad should be selected as a basic livelihood recipient. Can Sun-woo get through this disastrous incident and get married successfully?

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